There are many different benefits that arise from engaging
in singing activities. These apply to all ages, from childhood into adolescence
and through into retirement age and beyond. With appropriately nurturing
experiences, singing competency will develop. Almost without exception,
everyone has the potential to sing competently and enjoy singing across the
lifespan. Childhood provides a crucial opportunity to lay the foundations of a
positive lifelong singing (and musical) identity.
Within the various research literatures, there are five main
areas of reported benefit from singing. Benefits are physical, psychological,
social, musical and educational (and often overlapping).
THE PHYSICAL BENEFITS
OF SINGING RELATE TO:
1. Respiratory and cardiac function
Singing is aerobic, in that it is a form of exercise that
improves the efficiency of the body’s cardiovascular system, with related
benefits to overall health. Aerobic activity increases the oxygenation of the
blood, which also improves overall alertness. (A study in October 2007, for
example, suggested that breathing pure oxygen was more beneficial than caffeine
for increasing driver alertness.) Even when seated, singing involves dynamic
thoracic activity, with benefits to the underlying structure and function of
the breathing mechanism. Major muscle groups are exercised in the upper body.
Furthermore, aerobic activity is linked to longevity, stress reduction and
general health maintenance across the lifespan. Improving airflow in the upper
respiratory tract is likely to lessen opportunities for bacteria to flourish by
keeping the airways open (e.g., to counter the symptoms of colds and flu). Regular
singing activities also can improve lung functioning for people with
respiratory illness. Overall, there are whole body physical benefits from
singing (see also neurological functioning below).
2. The development of fine and gross motor control in the
vocal system
The more that the vocal system is used appropriately, such
as in healthy singing, the more that the underlying anatomy and physiology are
likely to realise their potential in terms of growth and motor coordination.
This is very important in childhood and into adolescence because it is also a
time when the underlying basis for lifelong vocal identity and effective
communication are established, and when healthy vocal motor behaviours can be
nurtured.
3. Neurological functioning
Singing behaviour is multi-sited neurologically and
networked across many different brain areas. These include the development and
interaction between parts of the brain that are dedicated to aspects of music
(such as pitch, rhythm, timbre), language (lyrics and speech), fine motor
behaviour, visual imagery and emotion. Singers tend to have greater connections
between areas of the brain than non-singers. Research has suggested that
singing with someone else is not the same as singing alone, nor the same as
singing with an instrument, because singing with others involves neurological
areas related to human social interaction, empathy and coordination. There is
also new evidence suggesting that singing can help develop the auditory
attention and perception of hearing impaired (HI) children, including those
with cochlear implants. Neurologically, there is a close, overlapping
relationship between overt and imagined singing (such as silent rehearsal and
singing to yourself).
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